Jorge Colon's SIN ELLA shows us how much a family member can guide the values and lives of the others, even when absent. Set in present-day Mexico City, the story follows Gastón (Luis Roberto Guzmán, in a striking performance different from his action-man TV roles), a successful TV producer who has to learn how to be a good dad for his teenage daughter and younger son after an accident, which challenges the family not only to cope with the pain of the tragedy but also to improve their lives. With outstanding performances by all cast members and an attractive soundtrack, this drama and its dose of magical realism are bound to make its audience reconsider what family truly means.

A story told by the perspective of Sophia's dog as she faces the traumatic of leaving an abusive relationship. Despite those around her who tell her to leave her dog behind, Sophia fights to keep them both safe.

Fact-based story about the emotional trauma and following legal problems of a young woman who was raped by an acquaintance.

From first-time feature director Louis Sallerson comes this story of a college love triangle and a broken van. Michael is in love with Rachel who is still romantically attached to Eric. This is all well and good until the shuttle van carrying all three back to college breaks down, leaving them stranded in the middle of nowhere. The dynamics of the abusive relationship between Eric and Rachel are revealed, and Robert and Claudia, two other occupants of the van, watch in varying ways as this love triangle plays out in the field alongside the road. Made on a budget of less than $10,000 by students from the Five College Undergraduate System, Waiting Without Her is a low budget love triangle that you won't want to miss.

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The story of women's baseball around the world follows the lives of seven star players at the pinnacle of their game who are forging a path forward for future generations of female athletes.

Winner of the 1992 Galaxy Award Encouragement Prize and the 1992 Japan Commercial Broadcasters Association Award Excellence Prize. Winner of the 10th ATP Award '93 Grand Prix. Winner of the 10th ATP Award '93 Excellence Prize. Selected as one of the "Best 20 Programmes" at the 10th ATP Award '93. "Through the story of a couple, we ask what it means to live and love. Kazuo (Sato Koichi) and Ritsuko (Imai Miki) were happily married through an arranged marriage during the war. One year later, Kazuo is sent to the city as a member of an army press corps. When he returns home after completing his mission, he finds Ritsuko, who has contracted intestinal tuberculosis and is bedridden. [This section is taken from "J-com magazine" 2004/02 (published by J-com Kansai)]"

After her family is financially ruined in a lawsuit by John Rutherford of Wall Street, Carol Raymond leaves Virginia to set matters straight. Three weeks later, after marrying Bruce Armitage, the now deceased Rutherford's nephew and heir, Carol tells her father the story in a letter: When she arrived, she succeeded in making Armitage fall in love with her. However, Armitage's twin brother, Alan Rutherford, and an adventuress lured her to a roadhouse. After she drank much champagne, Rutherford, appearing as Armitage, attempted to assault her until she threatened to jump from a balcony. When she saw both Rutherford and Armitage together, she learned that it was the disinherited twin brother who pursued the suit. She then married Armitage. As she finishes the letter, Rutherford, after binding Armitage in the cellar, enters her bedroom, but Armitage escapes just in time to save Carol from Rutherford's embrace.

Mrs. Grant, a widow, has one son, Donald. He is not really a bad fellow, but is full of devilment and always getting himself into mischief. One day, he visits the village inn and follows this up by pinning a caricature of Elder McWirther on that gentleman's gate. It is decided by the deacons to expel him from the church.

A wealthy sub is pulled apart by warring doms as his wife and his mistress trade messages using him as both pawn and courier. As the game escalates, the man learns that brats don't want to win; they want to struggle. They want to land on their knees, but not willingly. Only one woman ultimately proves to be a true dominant.